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Seaman had worked for Emile Berliner's
Berliner Gramophone. Seaman decided to start his own company
to produce disc records and disc phonographs. Seaman's "Zon-O-Phone"
records design and technology were shamelessly stolen from Berliner,
and the machines similarly copied from the products of Eldridge
R. Johnson's Consolidated Talking Machine Company. Astoundingly,
Seaman then sued Berliner and Johnson for violating his technology!
With the help of lawyer Phillip Mauro, Seaman arranged for an
alliance with Columbia Records (then manufacturing only cylinder
records and machines), arguing that the patents held by Columbia
concerning cylinders applied to any type of recording where a
stylus vibrated in a groove, and that Zon-O-Phone would pay royalties
if Columbia helped him drive Berliner out of business. In Johnson and Berliner counter-sued, and the following year emerged victorious in courtprompting the name of their new combined company, The Victor. Further legal actions dragged on until 1903, when all of the United States and Latin American assets of Zon-O-Phone were turned over to Victor, and the Europe and British Commonwealth assets to the Gramophone & Typewriter Company (which would later become the Gramophone Company and launch the His Master's Voice record label). Victor Talking Machine continued use of the "Zonophone" name to market cheaper records which for whatever reason were not of the technical standard of the Victor label until retiring the label in the U.S. in 1910. In the United Kingdom and the Commonwealth, the Gramophone Company continued to use the "Zonophone" label through 1931. When the company merged with the Columbia Graphophone Company to form Electrical and Musical Industries, Ltd. (EMI), the lower-priced labels of the two firms were merged also as Regal Zonophone. Records were issued under the Regal Zonophone imprint until the 1970s. Quelle |
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